Andrew and I watched "True Grit" last night—the 2010 version directed by the Coen Brothers. It was fabulous. I have only seen a few of the films the Coens have directed—"O Brother Where Art Thou," and "Raising Arizona," both of which are fabulous, if not a little quirky. "True Grit" was also quirky and fabulous.
When Karen asked us how it was and if it deserved all the awards/nominations it got, Andrew said that it certainly did. It was "funny."
"Funny?!" I gasped.
It is not funny. It is a drama. But it is a quirky drama.
For example, there was not a single contraction in the entire script, which almost made the language sound stilted, especially when the ruffians were speaking, but somehow it ended up sounding natural. When Tom Chaney declared, "I am not happy," I wanted to die laughing...but because it was such a tense part in the movie I could not.
I'm, you're, and
couldn't've were all I am, you are, and could not have.
There was not even an
ain't to be heard, however you expand
that contraction.
All day long I have been noticing how many contractions I use. I use a lot. I imagine they did back in the days of the Wild West as well. Even when I am typing I like to throw in contractions because it reads smoother to me. But the lack of contractions was a quirk I enjoyed, as unrealistic as it may have been.
The movie helped me to understand where the term "midwest" came from. The story takes place in Arkansas and Oklahoma. At first it was hard for me to think of those states as part of the Wild West...
but they were. For some reason I have no problem linking Texas + Wild West in my brain but it took me a while to get over Arkansas. But when Mattie arrives to collect her father's body and you see that the train tracks end right there (but that they have obvious plans of going farther) it hit me that they really were in frontier county.